Tom,
I honestly do not know what risks or not any producer of any item during the Third Reich were prepared to take or not. And I admit that there is a difference beween using zink as core material and wrongfully (unintentional or intentional) or mistakingly hallmarking a plated frame. The latter being the bigger offense, for sure.
If that would be the case with all Rounders one might really come to different conclusions. True!
But the company who did this cross reversed this practice (if it was one, maybe this is the only cross that was hallmarked incorrectly) and went over to produce the same cross with the same core with a silver frame, in an etched version, a 'painted frosting' version and a plain silver version - exactly as all the others that produced 'from the beginning'.
Now why would any diabolic faker (who only wants to make money and already commited himself to hallmarking fraud) do that? Without destroying the cross one would never know. And even if one finds out after whatever time, the faker and his money is gone, gone, gone...Why etching, why painted frosting?
Please give me any good reason for a possible faker going thru that time line! It just doesn't make any sense at all. Not even close! Apart from the fairly safe assumption, that in the early 80's thiose production steps were not known to the general public...maybe not even to the initiated...
Apply some common sense and forget the heated Rounder issue for a moment!
Dietrich
I honestly do not know what risks or not any producer of any item during the Third Reich were prepared to take or not. And I admit that there is a difference beween using zink as core material and wrongfully (unintentional or intentional) or mistakingly hallmarking a plated frame. The latter being the bigger offense, for sure.
If that would be the case with all Rounders one might really come to different conclusions. True!
But the company who did this cross reversed this practice (if it was one, maybe this is the only cross that was hallmarked incorrectly) and went over to produce the same cross with the same core with a silver frame, in an etched version, a 'painted frosting' version and a plain silver version - exactly as all the others that produced 'from the beginning'.
Now why would any diabolic faker (who only wants to make money and already commited himself to hallmarking fraud) do that? Without destroying the cross one would never know. And even if one finds out after whatever time, the faker and his money is gone, gone, gone...Why etching, why painted frosting?
Please give me any good reason for a possible faker going thru that time line! It just doesn't make any sense at all. Not even close! Apart from the fairly safe assumption, that in the early 80's thiose production steps were not known to the general public...maybe not even to the initiated...
Apply some common sense and forget the heated Rounder issue for a moment!
Dietrich
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