Everybody who is at least a tiny bit interested in arts in modern history will realize pretty fast that there is one big cut worldwide and especially in Germany - or what remained as such:
1945.
That year changed a lot worldwide and had a vast impact on almost every part of modern development including creation of objects of arts and jewelry was no exception.
So it does not matter what was done in 1951 in jeweler´s business but what was done until the end of the Reich - since after 1945 there occured partially radical changes about attitude to work and changing of design and production methods.
Just look at an official state building from 1942 and one from 1951!
What I expect from an intelligent seller is not common sense of what is possible today but what was possible AND officially ideologically prefered in the period of which we are talking here - if you want to judge a piece good or bad it needs feeling and understanding of the piece in question based on a feeling of the time in which it was produced - or better: manufactured.
And, of course all that complemented by taking documents of the period into account - one needs to study the object and subject.
Dealers often don´t pay attention to that because time is money they think - that is short-term thinking and does not pay off.
1945.
That year changed a lot worldwide and had a vast impact on almost every part of modern development including creation of objects of arts and jewelry was no exception.
So it does not matter what was done in 1951 in jeweler´s business but what was done until the end of the Reich - since after 1945 there occured partially radical changes about attitude to work and changing of design and production methods.
Just look at an official state building from 1942 and one from 1951!
What I expect from an intelligent seller is not common sense of what is possible today but what was possible AND officially ideologically prefered in the period of which we are talking here - if you want to judge a piece good or bad it needs feeling and understanding of the piece in question based on a feeling of the time in which it was produced - or better: manufactured.
And, of course all that complemented by taking documents of the period into account - one needs to study the object and subject.
Dealers often don´t pay attention to that because time is money they think - that is short-term thinking and does not pay off.
Comment