Dietrich-
I was not suggesting that it is a fake, but am interested in the odd construction and the slightly lower quality appearance of the piece. That is part of the reason, beyond the rarity of a marked schickle RK, I bought the cross. Questions that come to mind after examination of this piece are-
1. Why the "low" swaz? Other makers of RKs, including 3/4 ring, had a swaz that is level, or higher, than the beading.
2. Why the low weight? It has an iron core, and despite a neusilber frame is lighter than juncker pieces made of neusilber with zinc cores. As pointed out earlier, it is not as light as the first piece that Detlev has listed in his catalog.
3. Could the lower level of quality of the beading, apparent only on 30X loop, be the factor, as with the 3/4 ring, for lack of approval as an official award piece? Or is it just the odd macro appearance of these pieces with the unusual shape of the ring?
4. Why the lack of finishing of the beading at the junction of the beading and the core? Has anyone else seen this on another maker?
5. Is the paint on this piece, which appears on a macro level to be "chalky" in appearance, another piece with bone black paint, or will this show a different type?
6. Do other members have schickle RKs that we could examine the flaws in the beading to characterize these and perhaps get information of a timeline with progression of flawing?
I was not suggesting that it is a fake, but am interested in the odd construction and the slightly lower quality appearance of the piece. That is part of the reason, beyond the rarity of a marked schickle RK, I bought the cross. Questions that come to mind after examination of this piece are-
1. Why the "low" swaz? Other makers of RKs, including 3/4 ring, had a swaz that is level, or higher, than the beading.
2. Why the low weight? It has an iron core, and despite a neusilber frame is lighter than juncker pieces made of neusilber with zinc cores. As pointed out earlier, it is not as light as the first piece that Detlev has listed in his catalog.
3. Could the lower level of quality of the beading, apparent only on 30X loop, be the factor, as with the 3/4 ring, for lack of approval as an official award piece? Or is it just the odd macro appearance of these pieces with the unusual shape of the ring?
4. Why the lack of finishing of the beading at the junction of the beading and the core? Has anyone else seen this on another maker?
5. Is the paint on this piece, which appears on a macro level to be "chalky" in appearance, another piece with bone black paint, or will this show a different type?
6. Do other members have schickle RKs that we could examine the flaws in the beading to characterize these and perhaps get information of a timeline with progression of flawing?
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