This one I actually like. I believe it is Shinto period based on the oxidation of the tang, but am always happy to learn when I am wrong.
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The straight suguha though suggests Koto Period.Originally posted by Gary Cain View PostThis one I actually like. I believe it is Shinto period based on the oxidation of the tang, but am always happy to learn when I am wrong.
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The Habaki is not original to the blade IMO as it is not a snug fit. It does the job adequately though.Originally posted by Gary Cain View PostThe straight suguha though suggests Koto Period.
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The sayagaki identifies the smith as Goji Tadayoshi
在銘: 五字忠吉
Zaiji: Goji Tadayoshi
Inscription: Goji Tadayoshi
NB: the actual inscription does not have the 五字 portion engraved.
Another Wakizashi attributed to the second half of the Edo period.
In year Keicho 1, then hired swordsmith of Hizen Saga clan, HASHIMOTO Sinzaemon-jo Tadayoshi went to Kyoto and became the pupil of Umetada Myojyu. In Keicho 3, he backed to Hizen, then he established his own workshop near Saga catsle.
After then, his school flourished during Edo period. The teacher of first generation Tadayoshi Umetada Myojyu was originally metalsmith, he was considered as the ancestor of Shin-to swordsmith, he realized the feature of Shin-to significantly, different from Ko-to, such as well grained kitae-hada, loose notare, nio-i-kuchi ko-nie attached, bright hamon, and also added blade engraving freed from religious restraint, which started from Kei-cho period. First generation Hizen Tadayoshi brought back the way of working and style of Umetada Myoju, the aesthetic sense of Kyoto and Yamashiro-den style of Rai school. More over, several elements accumulated such as the taste of first feudal lord of Hizen Saga clan, NABESHIMA Katsushige, local climate, the advantage close to international port Nagasaki. It considered that they bred his creativity. He established his firm style handed over to his pupils till end of Edo period. Hizen swords have created a lot, so the large number of registration as well since Nabeshima clan encouraged to create the swords, propagated to other feudal lords, exported to China and Korea. In later generation Tadayoshis, with the signature called "五字忠吉"(goji-Tadayoshi, litterally five characters Tadayoshi), there were Tosa-no-kami Tadayoshi, third generation Mutsu-no-kami Tadayoshi, fourth generation Ô-mi-daijo Tadayoshi, fifth and sixth generation Ô-mi-no-kami Tadayoshi and eighth generation Tadayoshi.
--GuyAttached FilesLast edited by GHP; 07-25-2018, 09:06 AM.
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Originally posted by nickn View PostI don’t know what we can tell you other then the nakago has been cleaned and the Mei is not genuine
It’s best to read as much as possible before buying Japanese swords
Have you bought the Sword ?
Of course whenever we see this famous mei one immediately thinks it is probably gimei but the certainty required to declare it such demands the same weight of evidence as to assert its authenticity.
I'm seeing a blade which broadly resembles a classic Hizen Tadayoshi. It appears to be well-made and many of the visible features, such as hamon and sugata generally fit the school. That gold foil wrapped habaki may also be an indication it is something half decent?
Very little known about yondai and rokudai, so hard to discount mei which are seldom encountered. I'm not saying I disagree but the guy has asked for guidance and an explanation to support your beliefs will help inform him (and me.)
Regards,
Kevin.
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Kevin
I compared the Mei to swords in my collection
Admittedly 2nd and 3rd generation
Then google for more
To my eye the Mei is way off and the suguha doesn’t look very controlled but perhaps that’s the polish
the poster said the Habaki didn’t fit very well he assumes it’s not original to the Sword if that’s the case it’s doesn’t indicate anything
But as I said that doesn’t make it a bad Sword
The Sword needs to be in hand to give a proper assessment
This cannot be done with photos
Do you think the Mei is correct for a late generation tadayoshi?
Can you post a genuine one for us to compare?
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