Elmer, thank you for the update on the Thies piece. Did you get it? It is so lovely to look at.
Brian, you raise some interesting points. However, I am inclined to trust an 1813 EK2 that
matches details and construction techniques found in Heyde's book, as he shows a good
selection of 3-piece construction EK2s made in the period.
It is certainly possible to question anything, but I believe the fakers have made their best
efforts, and fallen short in a few key areas. This is, in my opinion, their best so far:
...and it's pretty damn good. But doesn't pass as a real one. So I personally believe it is
still possible to judge an original 3-piece. What I do not know about are the
very early anomalies, like the Weitze piece shown above, and some of the notch-frame
examples in the first post. How can I possibly know if something "one-of-a-kind" was
made in 1815 or 2005?
Finally, a note about manufacture. As I understand it, the cores were cast in "casting trees,"
which had multiple molds that were filled at the same time. Thus there will be slight
variations from one mold to the next. I don't know how many molds sat side-by-side
(I'm not sure it is known by anyone), but this method probably explains the co-existence
of serif and sans-serif dates on original, early examples. An example of this kind of casting
tree can be seen in Vern Bowen's book (hardcover edition) on p. 28.
Brian, you raise some interesting points. However, I am inclined to trust an 1813 EK2 that
matches details and construction techniques found in Heyde's book, as he shows a good
selection of 3-piece construction EK2s made in the period.
It is certainly possible to question anything, but I believe the fakers have made their best
efforts, and fallen short in a few key areas. This is, in my opinion, their best so far:
...and it's pretty damn good. But doesn't pass as a real one. So I personally believe it is
still possible to judge an original 3-piece. What I do not know about are the
very early anomalies, like the Weitze piece shown above, and some of the notch-frame
examples in the first post. How can I possibly know if something "one-of-a-kind" was
made in 1815 or 2005?
And the earliest all exhibit individual characteristics and are not cross by cross
from the "same die, the die don't lie". Quite the opposite. They are hand made from the
impression in the sand mold.
from the "same die, the die don't lie". Quite the opposite. They are hand made from the
impression in the sand mold.
which had multiple molds that were filled at the same time. Thus there will be slight
variations from one mold to the next. I don't know how many molds sat side-by-side
(I'm not sure it is known by anyone), but this method probably explains the co-existence
of serif and sans-serif dates on original, early examples. An example of this kind of casting
tree can be seen in Vern Bowen's book (hardcover edition) on p. 28.
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