1
Announcement
Collapse
No announcement yet.
Is That A Ghost?
Collapse
X
-
Hmmm... I was going to say it was just a double exposure, but no other parts of the photo are affected. It's possible to get some spectral imagery by not advancing the film and capturing two images on the one frame, but accidental double exposures are obviously mistakes. This looks like it has been done on purpose by someone who was handy with a camera and had darkroom skills.
Jason
Comment
-
Well here is my 2cents worth.
Judging by the movement (bluring) of the others in the pic and the fact that higlights (wall the right desk) are washed out and the lowlights (dark areas of the shot, desk top on the left, blanket) are properly exposed what most likely happend is
The photographer (the ghost) set up the other chaps and the camara was left on 'Bulb' or 'T' then he rushed back into the shot sat for a few seconds got up and then closed the shutter.
Comment
-
If he got up and such wouldn't there be a lot of streaking? The shutter speed is obviously super slow (probably because they are inside), and the film is also probably really slow if it would take that long for exposure.
Here's an example of a double exposure I made with a period German camera. You can see that the camera shifted slightly during the interval.
http://img651.imageshack.us/img651/3816/33930010.jpg
Here is an accidental double exposure with the same camera.
http://img406.imageshack.us/img406/8215/img0011ia.jpg
Comment
-
Originally posted by Brendan Hunt View PostIf he got up and such wouldn't there be a lot of streaking? The shutter speed is obviously super slow (probably because they are inside), and the film is also probably really slow if it would take that long for exposure.
I've done this sort of thing numerous times when sufficiently bored, and it's quite easy to do without leaving behind any sort of streaking.
Comment
Users Viewing this Thread
Collapse
There are currently 2 users online. 0 members and 2 guests.
Most users ever online was 10,032 at 08:13 PM on 09-28-2024.
Comment